Hammer and Buffy just got done participating in a children’s musical version of 101 Dalmatians (they were a stage hand and a boxer, respectively). Fortunately, they both loved it, so they didn’t notice me living vicariously through them. I did costumes and backstage “kid wrangling”: “Shh! Knock it off! The audience can hear you!” But my soul was sashaying onstage with Cruella, calling everyone nincompoop, boxing evil henchmen’s ears, and throwing fits over my beauuuuutiful Dalmatian-skin coat.
Okay, it was a children’s production, starring a 16-year-old Cruella in a fright wig. But my soul has always yearned for the stage, and ended up sewing costumes and managing props.
The community theatre is holding auditions for Harvey soon. It seems like a no-brainer, from certain points of view: Go for it, girl! You’re not getting any younger! At least you won’t have to sing!
Except for all those other dreams and goals. My soul specializes in yearning. With Henderson the Rain King, it wanders around murmuring, I want, I want... It doesn’t yearn for glory or attention, but it likes to create. And it has no sense of proportion, balance, or timing. It gets a fair bit of what it asks for, but it still wants.
So. Presupposing a theoretical modicum of talent, do I bundle up existing commitments and dreams to throw under the bus if I “make it”? Or do I acknowledge that the current batch are more than enough for any reasonable soul, and save the theatre dream for some future life? When does achieving balance turn into burying your (theoretical) talent?
O woeful, woeful, woeful! (That’s King Lear, just in case...)